Jonathan Gray

Dr. Jonathan Gray is author of Public Data Cultures and Reader in Critical Infrastructure Studies at the Department of Digital Humanities, King’s College London. He is also Cofounder of the Public Data Lab; and Research Associate at the Digital Methods Initiative (University of Amsterdam) and the médialab (Sciences Po, Paris). More about his work can be found at jonathangray.org.

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  • The Creative Commons/Public Domain movement needs to seriously address issues related to traditional knowledge. Of course WIPO won’t “forbid” the sharing of traditional knowledge – it clearly has no power, or desire, to do so. What WIPO is considering are the rules under which traditional knowledge is shared. Most of these relate to customary law (“local norms” can be used in a way to demean and trivialize traditional legal systems that may have been in place for hundreds of years to millennia – long before the appearance of IPR concepts in the Englich Enlightenment). The link above leads to an essay that discusses the need for the Commons movement to respect legal and cultural pluralism in regards to knowledge – there are living peoples who have neither bought into “our culture” and its concepts of either IPR or the public domain. While I am an ardent supporter of the CC and PD in the Western knowledge system, I believe the CC movement must find ways to respect other beliefs about the status, distribution and regulation of knowledge. The Commons movement often postulates two main universal states of the world – the private domain and the public domain. The Cultural Commons stands as a link, as a private domain of knowledge with broad follow-on use rights, but tends to think of all Commons as global. Most Commons, however, are local, with local norms, values, beliefs, customs, etc. adjusted to local circumstances. While “cultural remixing” may be exciting and liberating to the remixers, to the knowledge holders it may be offensive, threatening and dangerous (e.g. the use of Maori tattoos in the movie “Revenger’s Tragedy” was highly offensive to Maori). Remember that the CC is an ownership strategy, in which someone calims that they are in a priviledged position to claim and set ownership rights. Although the rights that are granted in a CC license are generally much more liberal than in copyright, it still begs the question of how the creative authors come to assert the property rights, particularly here in the case of traditional knowledge. The public domain is just as much a creature of the Enlightenment as the IPRs to which are granted temporary monopoly rights. What, pre generally, should the response of the CC be to knowledge which comes from other legal traditions that don’t recognize these distinctions? The CC movement needs to learn that forced exclosures and appropriations can be just as unjust as enclosures.

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